Author: William A. Babcock

Editor’s Note: Print media sets regrettable trend on corrections

My Paris correspondent had trouble walking, chewing gum and correctly using the English language. Heck, he didn’t even have to be meandering with a Dentyne wad in his mouth to muck up his mother tongue.

I knew this, as I should, being his state­side editor. So imagine my great joy when I saw I’d be editing three Page 1 stories for the next day’s paper, and knowing that his would be the last one to arrive at my desk, and thus giving me a grand total of 10 minutes, tops, to edit his piece.

When the first story arrived I edited it carefully, phoning my London correspondent to verify a couple of sources, getting a couple of new paragraphs, re-editing the entire piece and sending my edited version to the interna­tional news editor. The second story came in a few minutes later from Bonn, Germany, and I rearranged the academic wording so it had more of an “everyman” feel to it before pitch­ing it to another editor.

Finally, as the clock wound down, the story from France appeared on my computer screen. Racing through the story, with an eye on the clock all the while, I finished my edit and did a 30-second spellcheck of the story before propelling it directly to the paper’s copy desk. Whew!

Four days later, the paper’s editor-in-chief walked slowly to my desk. I looked up; he looked down at me, nodded slightly and, without saying a word, dropped a letter on my desk. He then turned his back on me and ever so slowly retraced his steps to his office.

None of this was a good sign.

I picked up, read and memorized the two-paragraph letter from Peoria, Ill. It said:

Dear Christian Science Monitor Editor,

I have just read your story from Paris in today’s paper. I was shocked to find the word “sight,” instead of “site,” used in the third paragraph. I find it appalling that the Monitor would make such an unforgivable error.

I have been a subscriber of your paper for 25 years. Please cancel my subscription immediately.

Sincerely …

Yes, I knew the difference between “sight” and “site,” and even “cite.” I simply missed it in my dash to make deadline. And the spellchecker did not bail me out in the least. I promptly penned a handwritten note and posted it to the woman in Peoria. (I’ve always suspected she was, or had been, a librarian, but I can’t say for sure.)

What I can say for sure is that readers consider newspapers – whether in print or online – to be their newspapers, and can feel insulted when they see their paper has made a mistake. And they feel that their trust has not been bestowed in vain when their newspaper readily admits its error. Readers realize news­papers constitute the only industry producing a brand-new product each day, and that such a product naturally will contain errors. Still, au­dience members expect apologies for mistakes, both online and in print.

In the Gateway Journalism Review you are holding, you’ll see a lengthy package of articles dealing with how 80 newspapers across our primary 16-state circulation area handle corrections. The person gathering, compiling and writing this package was Patty Louise, editor and publisher of the Waterville Times, the weekly community newspaper in Water­ville, N.Y. Louise’s newspaper experience is as extensive as it is varied, as she:

• Edited the Daily Orange, the campus newspaper at Syracuse University, where she graduated from the S.I. Newhouse School of Public Communications.

• Worked as an editor for the Syracuse Post-Standard.

• Was an editor and writer for Gannett Newspapers.

• Earned a master’s degree in business administration.

• Teaches journalism at an upstate New York college, where she advises the student newspaper.

Her corrections package features a large graphic outlining how each of the 80 newspa­pers she surveyed handles – or does not handle – corrections. This GJR story package, which runs on pages 15-22 and includes charts and sidebars, constitutes an extensive – perhaps the most extensive examination ever – of how Midwest newspapers deal with corrections.

Unfortunately, Louise’s pieces show the Midwest’s papers and their online products are not doing as good a job of owning up to and addressing their readers’ concerns as they should. We all train our own children and expect our schoolteachers to instruct their charges to say, “I’m sorry,” when children have done something they know they should not have done. Our newspapers should be held to the same standard.

When they’re not, the public’s confidence in its constitutionally protected media is erod­ed, newspapers are found to be less credible, readership suffers, the industry becomes more fiscally strapped and our democracy is gradu­ally eroded. But that’s overly melodramatic. More to the point, though is that the one medium that did, on a regular and consistent basis, say to its readers, “We screwed up and here is the right stuff,” is now going the way of new media and broadcast to simply wallpaper over its mistakes the next day (or next hour) and hope no one notices. We should all regret this trend.

The missed photo that wasn’t

Dozens of the United States’ best sports photojournalists are not vying today – Friday – to take the Major League Baseball picture of the year.

That photo would have shown Terry Francona, the manager of the Cleveland Indians, walking past the “Green Monster” wall in Boston’s Fenway Park, wearing the most politically incorrect baseball cap on the planet. (That would be the blue cap with a red bill, featuring a horribly stereotyped, toothy red-faced American Indian nicknamed “Chief Wahoo” sporting a large feather in his hair.)

Francona – son of Tito Francona, a popular Indians player for a few years in the 1960s – was unceremoniously fired by Boston after the 2011 season despite piloting the Red Sox to two world championships. After spending a year’s purgatory in TV sports, he was hired this year to manage the “mistake-by-the-lake” boys of Cleveland, and in one year he managed to take a team that had lost 90 games in 2012 to the postseason one-game wild-card playoff against the Tampa Bay Rays.

Alas, the Rays deflated the Indians’ dream of getting to (and winning) the World Series – something they’ve not done in 65 years of missed opportunities, low salaries, “the catch” and the curses of Rocky Colavito and Jose Mesa. The 4-0 score devastated Indians fans well-used to such ignominy. And, in the process, the Rays deprived photojournalists of the professional joy of elbowing each other out of the way as they positioned themselves to take Francona’s photo as he walked triumphantly into the sports cathedral of his former employer. So much for the missed photo op that never was.

But as Indians fans have told sports journalists since 1948: “Wait until next year!”

 

William A. Babcock is editor of Gateway Journalism Review. He is the senior ethics professor of the SIU Carbondale School of Journalism.

 

 

Editor Rieder leaves AJR for USA Today

As recent personnel changes indicate, the nation’s journalism reviews are no more immune to musical chairs and fiscal hard times than are the rest of the news media.

Last month capitalnewyork.com reported Cyndi Stivers’ departure as Columbia Journalism Review’s editor after she’d been in that position for fewer than two years. She now is editor-in-chief at AOL.com. Too, the website reported the firings of longtime executive editor Mike Hoyt and Justin Peters, CJR’s editor-at-large.

And American Journalism Review, which the Washington Post reported six years ago as having a $200,000 budget deficit that was threatening to shutter the review, announced a few days ago the departure of longtime editor Rem Rieder. After 22 years spearheading AJR, Rieder announced he was leaving to become USA Today’s media editor. For the past few years, Rieder has been AJR’s only fulltime editorial employee. According to jimromenesko.com, AJR has named Leslie Walker and Sean Mussenden as interim editors.

Belt-tightening in higher education is making it more difficult for journalism reviews to stay in the black while they try to deliver media news to their print and online audiences. Columbia University’s Journalism School publishes CJR, and AJR is published by the University of Maryland Foundation in the Philip Merrill College of Journalism.

As also is the case with Gateway Journalism Review, published by Southern Illinois University Carbondale’s College of Mass Communications and Media Arts, the nation’s three longtime journalism reviews are unable to keep afloat through subscriptions alone. And this at a time when it is increasingly competitive to secure monies from foundations and other funding sources.

Good news, bad news from Cleveland

Cleveland is used to bad press. First there was the water: The Cuyahoga River caught on fire in the 1960s and Lake Erie was pronounced “dead.” Then there’s sports: LeBron James flees the city, the Browns fail to win a single Super Bowl and the Indians are the second-worst baseball team on the planet.

Then along comes Amanda Berry, Gina DeJesus and Michelle Knight. Theirs should be a happy-ending story to end all happy-ending stories. Held captive in a Cleveland house for some 10 years, they finally escape. Alas, it’s not that simple.

As BBC News Magazine reports, this is yet another instance of the “Missing White Woman Syndrome” where Berry (white) received about twice the coverage of DeJesus (Hispanic). CNN piled on by saying that while missing-children websites regularly feature photos of disappeared African-American and Latino children, “news outlets rarely feature their stories.”

Then Britain’s Guardian blasts Cleveland police, asking how the women’s whereabouts had “remained undetected for so long.” Too, cheap zithromax

f=”http://bitchmagazine.org/post/why-didnt-police-listen-to-amanda-berrys-mother”>police are criticized for not paying attention to Barry’s mother, who years ago told them Barry had not run away.

And what is the lead news story from the Cleveland Plain-Dealer’s website. You guessed it: The kidnapping story did not even get top billing. Instead the Plain-Dealer featured an announcement of a Limp Bizkit concert.

That’s the same newspaper that announced last month that while it would continue printing daily editions, it would begin three-days-a-week home delivery this summer.

So the good news is that the Plain-Dealer is not contributing much bad newsprint about the women’s kidnapping. The bad news is that the paper is not contributing much news at all, and that from a city with a once-rich Cleveland Press versus Cleveland Plain-Dealer daily newspaper rivalry.

Regardless of what media are left in coming decades in the “mistake by the lake” city, rest assured that the media will never let the three women forget their 10 years of hell. And that when they die, their respective Cleveland obits will read, “ … who was kidnapped and held captive in a house for a decade.” Because in Cleveland, bad news never dies.

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Pointing and clicking is not enough

AFP photographer Emmanuel Dunard’s photo of a praying Aline Marie at a Newtown, Conn., church brings up an issue where many photojournalists and members of the public disagree.

Marie considered her praying outside the St. Rose of Lima church on the night of the shootings to be a private moment. She says she “felt like a zoo animal” when she realized that a number of photographers from across the nation and world were photographing her.

In this and other similar circumstances, photojournalists often seem to think that a good photo trumps a person’s privacy. Accordingly, they often hide behind the “I’m shooting from a public space” rationale to justify their actions. But the “public space” position is a legal argument – and one that most members of the public either do not understand or with which they disagree.

The “privacy” issue is, for most people, one that has little to do with the law.  Rather, people tend to think that their private activities – whether or not they happen to take place in or near a public place where photojournalists might congregate – are simply that: private activities.

Members of the public – what First Amendment cases refer to as “private” rather than “public” individuals – simply see it as the decent thing to do for a photojournalist to ask to photograph, or use/publish an already taken image. Photojournalists employing such sensitivity generally tend to discover that private individuals are grateful to have been asked and gladly grant permission.

Few photojournalism ethics codes and policies require or encourage photographers to get permission from members of the public before publishing their images. Were such policies encouraged, they would make the professional lives of photojournalists more difficult. But the end result would be a public feeling better about its media. And such an outcome would justify the few extra minutes of time a photojournalist would take on an assignment.

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